Publications

Terrains of Consciousness: Multilogical Perspectives on Globalization. Zeno Ackermann, Isabel Karremann, Simi Malhotra, Nishat Zaidi. Würzburg: Würzburg University Press (2021).

The Drama of Memory in Shakespeare’s History Plays. Cambridge: Cambridge University Press (2015).
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Männlichkeit und Körper: Inszenierungen eines geschlechtsspezifischen Unbehagens im englischen Roman des 18. und frühen 19. Jahrhunderts. Königstein/Taunus: Ulrike Helmer Verlag (2007).
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Shakespeare/Space. Ed. by Isabel Karremann. Shakespeare Intersections Series. London: Bloomsbury (2024).

Memory and Affect in Shakespeare’s England. Ed. by Jonathan Baldo and Isabel Karremann. Cambridge: Cambridge University Press (2023).

Figures of Pathos: In Honour of Elisabeth Bronfen. Co-ed. with Frauke Berndt and Klaus Müller-Wille. Würzburg: Königshausen & Neumann (2023).

Die Gleichheit der Geschlechter: Eine Literaturgeschichte der Aufklärung. Gesammelte Aufsätze von Ina Schabert. Hg. von Isabel Karremann. Feministische Aufklärung in Europa Bd. 1. Stuttgart: Metzler (2021).
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Forms of Faith: Literary Form and Religious Conflict in Shakespeare’s England. Ed. by Jonathan Baldo and Isabel Karremann. Manchester: Manchester University Press (2017).
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Shakespeare in Cold War Europe: Conflict, Commemoration, Celebration. Ed. by Erica Sheen and Isabel Karremann. Houndmills, Basingstoke: Palgrave Macmillan (2016).
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Forgetting Faith? Negotiating Confessional Conflict in Early Modern Europe. Ed. by Cornel Zwierlein, Inga Mai Groote, and Isabel Karremann. Berlin: De Gruyter (2012).
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Mediating Identities in Eighteenth-Century England: Public Negotiations, Literary Discourses, Topographies. Ed. by Isabel Karremann and Anja Müller. Aldershot: Ashgate (2011).
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Shakespeare-Jahrbuch. General editor since 2021.
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Feministische Aufklärung in Europa / The Feminist Enlightenment across Europe. Hg. von Isabel Karremann und Gideon Stiening. Sondernummer Aufklärung: Interdisziplinäres Jahrbuch zur Erforschung des 18. Jahrhunderts und seiner Wirkungsgeschichte, Bd. 32 (2020).
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Die Feministische Aufklärung in Europa | The Feminist Enlightenment across Europe | Les Lumières européennes au féminin. General editors Isabel Karremann and Gideon Stiening. Stuttgart: Metzler.
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1. “Falstaff, Again: Configurations of Serial Memory in Early Modern Culture.” In Shakesepare and Seriality: Page, Stage, Screen. Ed. by Elisabeth Bronfen and Christina Wald. London: Bloomsbury (forthcoming 2024).
2. “Women and the Country House: Enlightenment Critiques of Property Law and Gender in Eighteenth-Century Women’s Writing.” In Vom Recht der Frau zu den Frauenrechten. Hg. von Anne-Claire Michoux, Gideon Stiening und Isabel Karremann. Feministische Aufklärung in Europa, Bd. 3. Stuttgart: Metzler (forthcoming 2024).
3. “Introduction.” In Shakespeare/Space. Ed. by Isabel Karremann. Shakespeare Intersections Series. London: The Arden Shakespeare (2024), 1-21.
4. (with Jonathan Baldo). “Introduction.” In Memory and Affect in Shakespeare’s England. Ed. by Isabel Karremann and Jonathan Baldo. Cambridge: Cambridge University Press (2023), 1-19.
5. “Bartholomew Fair’s Olfactory Cross-Mappings: Smell – Place – Memory.” In Literature and the Senses. Ed. by Annette Kern-Stähler and Elizabeth Robertson. Oxford Twenty-First Century Approaches to Literature. Oxford: Oxford University Press (2023), 218-235.
6. “Artless Deaths in Hamlet: The Play as Danse Macabre.” In The Shakespearean Death Arts. Ed. by William Engel and Grant Williams. New York: Routledge (2021), 281-306.
7. (with Zeno Ackermann). “Introduction: New Terrains of Consciousness in a Globalized World.” In Terrains of Consciousness: Multilogical Perspectives on Globalization. Zeno Ackermann, Isabel Karremann, Simi Malhotra, Nishat Zaidi. Würzburg: Würzburg University Press (2021), 1-12.
8. “From Insular Territory to Global Terrains of Consciousness: The Case of Robinson Crusoe and The Farther Adventures.” In Terrains of Consciousness: Multilogical Perspectives on Globalization. Zeno Ackermann, Isabel Karremann, Simi Malhotra, Nishat Zaidi. Würzburg: Würzburg University Press (2021), 13-34.
9. “Einführung: Die Gleichheit der Geschlechter.” In Die Gleichheit der Geschlechter: Eine Literaturgeschichte der Aufklärung. Gesammelte Aufsätze von Ina Schabert. Hg. von Isabel Karremann. Feministische Aufklärung in Europa, Bd. 1. Stuttgart: Metzler (2021), v-xix.
10. “Aufklärungsfeminismus heute. Respons zu Michael Hampes Die Dritte Aufklärung (2019).” Aufklärung 33 (2021).
11. (mit Gideon Stiening). “Feministische Aufklärung in Europe: Skizze eines Forschungsprogramms.” Aufklärung 32 (2020), 5-15.
12. “Die Crusoe-Trilogie als Utopie der Einsamkeit.” In Kulturen der Einsamkeit. Hg. von Ina Bergmann und Dorothea Klein. Würzburg: Königshausen und Neumann (2020), 195-210.
13. “The Inheritance of Loss: Post-Reformation Memory Culture and the Limits of Antiquarian Discourse.” In Remembering the Reformation. Ed. by Brian Cummings, Ceri Law, Bronwyn Wallace, and Alexandra Walsham. New York: Routlegde (2020), 41-58.
14. “Geschlechterdifferenz.” In Der Neue Pauly: Lexikon zur Antikenrezeption in Aufklärung und Klassizismus. Supplemente 13: Das 18. Jahrhundert. Hg. von Joachim Jacob und Johannes Süßmann. Stuttgart: Metzler (2018).
15. “Post-Reformation Memory Culture: Ritual Forgetting in Anthony and Cleopatra.” Shakespeare-Jahrbuch 154 (2018).
16. “The Rhetoric of Amnesia in King Lear.” South-Atlantic Review 83:4 (2018), Special Issue Memory and Forgetting in Early Modern Europe. Ed. by George Core and William Engel, 102-118.
17. “Die Kunst des Lesens: Laurence Sternes Life and Opinions of Tristram Shandy, Gentleman.” In Die Kunst des Erzählens. Hg. von Michael Erler und Dorothea Klein. Würzburg: Königshausen und Neumann (2017), 147-164.
18. “Introduction: A World of Difference. Religion, Literary Form, and the Negotiation of Conflict in Early Modern England.” In Forms of Faith: Literary Forms and Religious Conflict in Shakespeare’s England. Ed. by Jonathan Baldo and Isabel Karremann. Manchester: Manchester University Press (2017), 1-17.
19. “Edmund Spenser’s The Ruines of Time as a Protestant Poetics of Mourning and Commemoration.” In Forms of Faith: Literary Form and Religious Conflict in Shakespeare’s England. Ed. by Jonathan Baldo and Isabel Karremann. Manchester: Manchester University Press (2017), 90-109.
20. “The Cultural Poetics of the Quatercentenary in Germany.” In Cold War Shakespeare: Commemoration, Celebration, Conflict. Ed. by Erica Sheen and Isabel Karremann. Palgrave Pivot Series. Houndmills/Basingstoke: Palgrave Macmillan (2016), 37-50.
21. “Moderne mit und ohne Tiere: The Farther Adventures of Robinson Crusoe (1719).” In Robinsons Tiere. Hg. von Roland Borgards. Freiburg: Rombach (2015), 89-113.
22. “Human/Animal Relations in Romantic Poetry: The Creaturely Poetics of Christoper Smart and John Clare.” European Journal of English Studies 19:1 (2015), Special Issue: The Creaturely. Ed. by Virginia Richter, Greta Olson, and Pieter Vermeulen, 94-110.
23. “Venedig: Ambiguität der Republik.” In Handbuch Literatur & Raum. Hg. von Jörg Dünne und Andreas Mahler. Berlin: De Gruyter (2015), 379-387.
24. “Nostalgic Spectacle and the Politics of Memory in Henry VIII.” Shakespeare Survey 67 (2014), 180-190.
25. “Schulden machen Theater: Produktive Geldkrisen bei Shakespeare.” Shakespeare-Jahrbuch 150 (2014), 17-41.
26. “Animals and the Question of Literature.” Social Alternatives 32:4 (2014), 21-27.
27. “Aboard the Raging Queen: Eighteenth-Century Pirates as Queer Icons on the Contemporary Screen.” In The New Eighteenth Century: Re-Presenting Restoration, Enlightenment and Romanticism in Contemporary Literature and Film. In Honour of Hans-Peter Wagner. Ed. by Anja Müller, Achim Hescher, and Anke Uebel. Trier: Wissenschaftlicher Verlag Trier (2014), 139-154.
28. “A Passion for the Past: The Politics of Nostalgia on the Jacobean Stage.” In Passions and Subjectivity in Early Modern Culture. Ed. by Brian Cummings and Freya Sierhuis. Aldershot: Ashgate (2013), 149-164.
29. “Das ethische Potential des Vergessens – Eine Annäherung.” In Potentiale des Vergessens. Hg. von André Blum, Theresa Georgen, Wolfgang Knapp und Veronica Sellier. Würzburg: Königshausen & Neumann (2012), 93-115.
30. “The Art of Oblivion: Semiotics – Pragmatics – Hermeneutics.” In Die Soziokulturelle (De-) Konstruktion des Vergessens: Bruch und Kontinuität in den Gedächtnisrahmen um 1945 und 1989. Hg. von Nicoletta Diasio und Klaus Wieland. Bielefeld: Aisthesis (2012), 49-63.
31. (with Cornel Zwierlein and Inga Mai Groote). “Introduction.” In Forgetting Faith: Negotiating Confesional Conflict in Early Modern Europe. Ed. by Isabel Karremann, Cornel Zwierlein, and Inga Mai Groote. Berlin: De Gruyter (2012), 1-40.
32. “Deafness as conditio humana in Eighteenth-Century Writings: The Case of Duncan Campbell.” In Taste and the Senses in the Eighteenth-Century. Ed. by Hans-Peter Wagner and Frédéric Ogée. Trier: WVT (2011), 207-220.
33. “The Displeasures of the Imagination: Gender, Distaste, and Paranoia in Tobias Smollett’s Humphry Clinker.” In Taste and the Senses in the Eighteenth-Century. Ed. by Hans-Peter Wagner and Frédéric Ogée. Trier: WVT (2011), 361-380.
34. “Augustan Manliness and Its Anxieties: Shaftesbury and Swift.” In Constructions of Masculinity in British Literature from the Middle Ages to the Present. Ed. by Stafan Horlacher. Basingstoke: Palgrave Macmillan (2011), 109-127.
35. “Introduction: Mediating Identities in Eighteenth-Century England.” In Mediating Identities in Eighteenth-Century England. Ed. by Isabel Karremann and Anja Müller. Aldershot: Ashgate (2011), 1-16.
36. “Found and Lost in Mediation: Manly Identity in Defoe’s A Journal of the Plague Year.” In Mediating Identities in Eighteenth-Century England. Ed. by Isabel Karremann and Anja Müller. Aldershot: Ashgate (2011), 31-44.
37. “‘Memory by litterature?’ The Mnemonic Anxieties of Medieval and Early Modern Historiography.” Mitteilungen des SFB 573:2 (2011), 17-25.
38. “Media Pluralization and Censorship in the Early Seventeenth Century: The Case of Thomas Middleton’s A Game at Chess.” In Proceedings of the Anglistentag 2010. Ed. by Joachim Frenk and Lena Steveker. Trier: WVT (2011), 343-352.
39. “‘Drinking of the wyne of forgetfulnesse’: The Blessings of Oblivion and the Early Modern Stage.” Shakespearean Criticism 136 (2011), 122-128.
40. “The Sea Will Make a Man of Him? A Genealogy of the Queer Pirate in the Popular Imagination from the Eighteenth into the Twenty-First Century.” gender forum 32 (2011), n.p. ‹http://www.genderforum.org/issues/historical-masculinities-as-an-intersectional-problem/the-sea-will-make-a-man-of-him/›
41. “Rites of Oblivion in Shakespearian History Plays.” Shakespeare Survey 63 (2010), 24-36.
42. (mit Carolin Roder). “Macht-Körper-Sinn? Körper als Schnittstelle zwischen kultureller Einschreibung und verstörendem Eigensinn.” In Disturbing Bodies. Ed. by Sylvia Mieszkowski and Christine Vogt-Williams. Berlin: trafo (2008), 121-164.
43. “‘Drinking of the wyne of forgetfulnesse’: The Blessings of Oblivion and the Early Modern Stage.” Wissenschaftliches Seminar Online 6 (2008), 29-39. ‹http://shakespeare-gesellschaft.de/publikationen/seminar/ausgabe2008/karremann.html›
44. (mit Carolin Roder). “Meaning by Critics: Klassikerverehrung als Ausschlußpolitik.” Shakespeare-Jahrbuch 141 (2005), 119-132.
45. “Männlichkeitsforschung und Literatur(wissenschaft) in Deutschland.” Jahrbuch für Finnisch-Deutsche Literaturbeziehungen 36 (2004), 33-46.
46. “‘I’d Rather be a Cyborg than a Goddess’: Reading the Cyborg Poetics of Eavan Boland’s In Her Own Image.” Nordic Irish Studies 3:1 (2004), 113-126.
47. “‘One and One is Two, Three is Potency: The Dynamics of the Erotic Triangle in Othello’.” In ‘Nothing but papers, my lord’: Studies in Early Modern English Language and Literature. Ed. by Jorge L. Bueno Alonso et al. Vigo: Servicio de Publicatións da Universidade de Vigo (2003), 111-121.

1. Ritchie Robertson, Enlightenment: The Pursuit of Happiness, 1690-1740. London: Allen Lane (2020). In Aufklärung 35 (2023), 407-412.
2. Amy Cook, Shakespearean Futures: Casting the Bodies of Tomorrow on Shakespeare’s Stages Today; Peter Kirwan, Shakespeare in the Theatre: Cheek by Jowl; Harry R. McCarthy, Performing Early Modern Drama Beyond Shakespeare: Edward’s Boys. In Shakespeare Jahrbuch 158 (2022), 205-210.
3. The Routledge Handbook of Shakespeare and Memory. Ed. by Andrew Hiscock and Lina Perkins Wilder. New York: Routledge (2018). In MLR 114:3 (2019), 542-544.
4. Peter Wagner, An Introduction to British and Irish Fiction. Trier: WVT (2014). In Anglia 134:4 (2016), 711-715.
5. Roland Weidle, Englische Literatur der Frühen Neuzeit. Eine Einführung. Grundlagen der Anglistik und Amerikanistik, Bd. 37. Berlin: Erich Schmidt Verlag (2013). In AAA – Arbeiten aus Anglistik und Amerikanistik 40 (2015), 1-2.
6. April London, The Cambridge Introduction to the Eighteenth Century Novel. Cambridge: Cambridge University Press (2012). In Anglia 132:2 (2013), 611-615.
7. Jonathan Baldo, Memory in Shakespeare’s Histories: Stages of Forgetting. New York: Routledge (2012). In Anglia 131:4 (2013), 667-671.
8. Martin Middeke and Christina Wald, The Literature of Melancholia: Early Modern to Postmodern. Basingstoke/New York: Palgrave (2011). In Anglia 130:4 (2012), 592–597.
9. Norbert Lennarz, “My Unwash’t Muse”: Die (De-)Konstruktion der Erotik in der englischen Literatur des 17. Jahrhunderts. Tübingen: M. Niemeyer (2009). In Anglia 128 (2010), 513-518.
10. Warren Chernaik, The Cambridge Introduction to Shakespeare’s History Plays (2007); Ton Hoenselaars, ed., Shakespeare’s History Plays (2007); Dermot Cavanagh et al., eds., Shakespeare’s Histories and Counter-Histories (2006); Paulina Kewes, ed., The Uses of History in Early Modern England (2006). In Shakespeare-Jahrbuch 145 (2009), 246-249.
11. The Handbook of Lesbian and Gay Studies. Ed. by Diane Richardson and Steven Seidman. London: Sage (2003). In Rac(e)ing Questions II, gender forum 10 (2004), n.p. ‹http://www.genderforum.uni-koeln.de/›
12. Koordinaten der Männlichkeit: Orientierungsversuche. Ed. by Sylvia von Arx, Sabine Gisin, Ita Grosz-Ganzoni, Monika Leuzinger, and Andreas Sidler. Tübingen: edition diskord (2003). In Gender Queeries, gender forum 8 (2004), n.p. ‹http://www.genderforum.org/fileadmin/archiv/genderforum/queer/queer.html›
13. David Halperin, How to Do the History of Homosexuality. Chicago: University of Chicago Press (2002). In Anybody’s Concerns II: Gender and the Body, gender forum 7 (2004). ‹http://www.genderforum.org/fileadmin/archiv/genderforum/anybody2/anybody2.html›
14. Gabriele Griffin, Who’s Who in Gay and Lesbian Writing. London/New York: Routledge (2002). In Anybody’s Concerns I: Gender and the Body, gender forum 6 (2003). ‹http://www.genderforum.org/fileadmin/archiv/genderforum/anybody/anybody.html›
15. Stephen Whitehead, Men and Masculinities: Key Themes and New Directions. Cambridge: Polity (2002). In H(a)unted Heroines, gender forum 4 (2003). ‹http://www.genderforum.org/fileadmin/archiv/genderforum/haunted/haunted.html›
16. Michael Neill, Putting History to the Question: Power, Politics, and Society in English Renaissance Drama. New York: Columbia University Press (2001). In ZAA 2003:3 (2003), 319-321.